L'Académie is the critically acclaimed chamber orchestra that specializes in sharing the humanizing beauty of Baroque music. Our mission has two parts- to present stylish, world-class orchestral performances of French Baroque music and to share the transformative power of music through chamber music concerts at Dana-Farber Cancer Institute and Massachusetts General Hospital.

The Massachusetts General Hospital series is supported in part by the Ribakoff Family Foundation.

Mission

L'Académie is the only chamber orchestra in the country whose sole mission is to contribute to the improvement of patient care through live chamber music concerts in hospitals as a holistic approach to healing.

Vision

Promote the healing power of music through weekly chamber music concerts at hospitals.

Promote our role as community ambassadors within the fabric of the Boston and beyond.

Leadership + Artists

Ton Koopman

Artistic Advisor

Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. From the beginning of his musical studies he was fascinated by authentic instruments and a performance style based on sound scholarship and in 1969, at the age of 25, he created his first Baroque orchestra. In 1979 he founded the Amsterdam Baroque Orchestra followed by the Amsterdam Baroque Choir in 1992.

Koopman's extensive and impressive activities as a soloist, accompanist and conductor have been recorded on a large number of LPs and CDs for labels like Erato, Teldec, Sony, Philips and DG, besides his own record label "Antoine Marchand", distributed by Challenge Records.

Over the course of a forty-five-year career Ton Koopman has appeared in the most important concert halls and festivals of the five continents. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of the Amsterdam Baroque Orchestra & Choir he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Théatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center and Carnegie Hall in New York and leading concert halls in Vienna, London, Berlin, Brussels, Madrid, Rome, Salzburg, Tokyo and Osaka.

Between 1994 and 2004 Ton Koopman has been engaged in a unique project, conducting and recording all the existing Cantatas by Johann Sebastian Bach, a massive undertaking for which he has been awarded the Deutsche Schallplattenpreis "Echo Klassik", the BBC Award 2008, the Prix Hector Berlioz, has been nominated for the Grammy Award (USA) and the Gramophone Award (UK). In 2000 Ton Koopman has received an Honorary Degree from the Utrecht University for his academic work on the Bach Cantatas and Passions and has been awarded both the prestigious Silver Phonograph Prize and the VSCD Classical Music Award. In 2006 he has received the Bach-Medaille from the City of Leipzig.

Recently Ton Koopman has embarked on another main project: the recording of the whole works by Dietrich Buxtehude, one of the great inspirer of the young J.S. Bach. The recording will be accomplished in 2010 with the release of 30 CDs. Ton Koopman is President of the International Dieterich Buxtehude Society.

Ton Koopman is very active as a guest conductor and he has collaborated with the most prominent orchestras of Europe, USA and Asia. Among them: Royal Concertgebouw Amsterdam, Orchester des Bayerischen Rundfunks in Munich, DSO Berlin, Tonhalle Orchestra Zurich, Boston Symphony, Chicago Symphony, Orchestre Philharmonique de Radio France, Cleveland Orchestra, Santa Cecilia in Rome, Deutsche Kammerphilharmonie and Wiener Symphoniker. In the season 2009/10 Ton Koopman will work with Berlin Philharmonic, Stockholm Philharmonic, Tonhalle Orchestra Zurich, Mahler Chamber Orchestra, Montreal Symphony, and many others. Ton Koopman will be Artist in Residence at the Cleveland Orchestra for three consecutive years starting in 2011.

Ton Koopman publishes regularly and for a number of years he has been engaged in editing the complete Händel Organ Concertos for Breitkopf & Härtel. Recently he has published Händel's Messiah and Buxtehude's Das Jüngeste Gericht for Carus.

Ton Koopman leads the class of harpsichord at the Royal Conservatory in The Hague, is Professor at the University of Leiden and is a Honorary Member of the Royal Academy of Music in London.

Ton Koopman is artistic director of the French Festival Itinéraire Baroque.